Chinese Architecture and the Beaux-Arts 藝術設計書籍推薦
Chinese Architecture and the Beaux-Arts
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商品訊息描述:
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the Ecole des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events.? Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications.?? This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the ?cole des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two “met” in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history.
作者簡介柏克萊網路書局
Jeffrey W. Cody
Jeffrey W. Cody is senior project specialist in the Education Department at the Getty Conservation Institute in Los Angeles. Nancy S. Steinhardt is professor of East Asian art and curator of Chinese art at the University of Pennsylvania. Tony Atkin, FAIA, is adjunct associate professor of architecture at the University of Pennsylvania's School of Design and a principal of Atkin Olshin Schade Architects in Philadelphia and Santa Fe, New Mexico.
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Chinese Architecture and the Beaux-Arts
Chinese Architecture and the Beaux-Arts 評價
網友滿意度：
我想有許多朋友都對藝術設計有著一些興趣
也常常被問到有關「轉職作設計，入門設計與創意類......
熟悉藝術設計界的讀者應該都知道 Chinese Architecture and the Beaux-Arts
今天來推薦 Chinese Architecture and the Beaux-Arts 幫您輕鬆接觸藝術
另外加碼推薦博客來網路書店購買非常方便
不僅有免運的服務 而且類別多到一個爆炸
在博客來買過 Chinese Architecture and the Beaux-Arts 的朋友都說物超所值
我朋友前幾天買了 Chinese Architecture and the Beaux-Arts 讀了也覺得很滿意喔
想多買幾本 Chinese Architecture and the Beaux-Arts 送朋友~ 一起培養培養藝術氣息~
推薦給有興趣的朋友們~~~~
(●’ω`●）博客來e-coupon傳送門
Chinese Architecture and the Beaux-Arts
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商品訊息功能:
商品訊息描述:
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the Ecole des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events.? Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications.?? This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the ?cole des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two “met” in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history.
作者簡介柏克萊網路書局
Jeffrey W. Cody
Jeffrey W. Cody is senior project specialist in the Education Department at the Getty Conservation Institute in Los Angeles. Nancy S. Steinhardt is professor of East Asian art and curator of Chinese art at the University of Pennsylvania. Tony Atkin, FAIA, is adjunct associate professor of architecture at the University of Pennsylvania's School of Design and a principal of Atkin Olshin Schade Architects in Philadelphia and Santa Fe, New Mexico.
商品訊息簡述:
作者： Jeffrey W. Cody、Nancy S. Steinhardt、Tony Atkin
新功能介紹- 出版社：香港大學出版社
新功能介紹 - 出版日期：2010/12/01
- 語言：英文
Chinese Architecture and the Beaux-Arts
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